Praise and success are a tricky thing for the artist. While everyone wants to be successful and praise is seductive, the nature of art is so subjective that there are many definitions of success. During the creative process, we run the risk of becoming perfectionistic if we allow thoughts of success to overpower the idea at hand. We all know that perfectionism is fear, and bold creations cannot thrive in an atmosphere of fear.
“We must do our work for its own sake, not for fortune or attention or applause.” – Steven Pressfield, The War of Art
I have been re-reading “The War of Art” by Steven Pressfield. I find it difficult to maintain a regular studio routine during the holidays. Well, let’s be honest here. I always find it hard to maintain a regular studio routine. That’s what the book is about. I’ve been trying to balance making time for artwork with preparing for the Christmas holidays. At times like this I’m thankful to have a dedicated studio space where I can retreat, even for short periods.
Another reason that praise or success can be a fickle mistress is that it breeds pride. Pride is different than self-confidence. Hubris, or pride, is the most serious of the 7 Deadly Sins. I’m not talking about feeling the humble joy of success. Hubris is more about egoism, or undeserved self-aggrandizment. I have seen many artists hamper their own creative growth because of pride. Pride demands that we ‘save face’ and avoid failure. The creative process demands that we risk failure to grow and change.
“Success leads to the greatest failure, which is pride. Failure leads to the greatest success, which is humility and learning.” – David Brooks, The Road to Character
Artists must always monitor the evaluation of their own work. One must be unflinchingly honest – we have to maintain a healthy amount of self-esteem to even attempt self-expression. But we must avoid hubris or false pride in order to maintain humility and openess to the creative process.
Avoiding Seduction – Keeping it in perspective
Everyone loves to hear that their work touched someone. Sales tell me that someone loved my work enough to live with it. I also receive positive feedback from social media and from juried shows. But by the same token, I know that I need to remember:
Ratindra Das has accepted “Jump” for the 9th Annual Signature American Watermedia Exhibition in Fallbrook, CA. I’m honored to be in great company. Artists must be a signature member of a Watercolor Society or Group to enter this show. So, the competition is tougher to get in. Standards for achieving signature membership vary. Generally it means your work has been accepted into more than one exhibition or has passed a review board.
The show will run February 4 – April 15, 2018
Open Daily February 4 through April 15, 2018 | Mon – Sat 10 am – 4 pm | Sun Noon – 3 pm
The Janice Griffiths Gallery @ The Fallbrook Art Center
103 S. Main Ave, Fallbrook, CA 92028
Teaching art workshops is gratifying beyond belief. It is a joy to watch the students in my workshops receive a challenge with open arms and run with it in completely different ways.
“Art Enables us to find ourselves and lose ourselves at the same time.” – Thomas Merton
Some of my favorite comments from the workshops were:
“Ok – MIND BLOWN!”
“Your specific suggestions, positive encouragement and creative assignments helped push me into unfamiliar territory.”
Here’s how the group in Gold Beach summarized the workshop:
“Three days of encouragement and challenges culminated in dramatic breakthroughs and conclusions for artists included in Ruth Armitage’s “Creative Spark” workshop in Gold Beach. And, there was lots of fun along the way!
Deftly weaving the elements of design into her visual presentations, Ruth then demonstrated techniques with which to develop sketches, photos, drawings, and failed paintings – through several iterations – into a finished work. She used a myriad of methods and materials, something to appeal to all participants. From gouache to Gelli pads, we explored ways in which we can resolve pauses and hiccups in our work.
The final Show and Tell proved the validity of personal discovery to find satisfaction with our results. Ruth’s gentle Socratic method elicits responses from her students to help that famous lightbulb sparkle.”
Side Benefits to Teaching Art Workshops:
One of the other reasons that I enjoy teaching art workshops is that it pushes me to be the best painter I can be. It makes me really think about different ways to express my ideas. The painting below evolved because of an idea stimulated by collage. The title “River of Dreams” stuck with me through the first two studies:
River of Dreams Study v. 1
The original collage featured a young child camouflaged by an oriental rug, and it had images of sharks in the water below. This one was too literal for me, but I wanted to show students that they could change a literal image and make it more abstract.
River of Dreams Study v. 2
This one was better since it is more abstract, but I wasn’t happy with the colors, and the bottom didn’t seem ‘dangerous’ enough.
Here is the final version. Often we have to go through several paintings to get to the final expression.
Thanks to all who participated in these fun art workshops, and to the key players at Oregon Society of Artists and Gold Beach who helped make them happen!
If you’d like to see me demonstrate, visit me during Portland Open Studios! October 8 & 9th or 15th & 16th, 10-5. Click the following link to read my post about the tour and related events.
Finally, I hope you’ll enjoy these images of workshop participants and their paintings! Click on the images to enlarge and scroll through. What really excites me is that all the participants in these art workshops created work that really reflects them. The work is not simply a copy of what I do, but a reflection of their own ideas and creativity. There is a range of realism to abstraction as varied as the people in the workshop.
Happy 50th Anniversary to the Watercolor Society of Oregon
This past weekend I spent three heavenly days at the Watercolor Society of Oregon’s 50th Anniversary. The exhibition and convention were held at the Oregon Garden Resort in beautiful Silverton, Oregon. Set in the rolling green hills of the mid-Willamette Valley, this gem continues to grow and change. Each time I visit, I notice new plants, artwork, water features and more.
But our main focus was on art. We listened to lectures, watched demonstrations, tried new products, made new art friends and strengthened old. We looked back at the history and the people that built our organization. Founders, board members, participants and jurors were all honored. The show was spectacular, juried by notable Michigan artist Kathleen Conover.
Kathleen Conover and Ruth Armitage
My Work Won an Award!
Thanks to Kathleen for the nice award! I was in the top ten at number 6!
My Award Winning Painting – “Camassia”
Oh Boy…. Another Rejection
I presented a lecture titled “Oh Boy, Another Rejection” and received so many heartwarming comments. A couple of folks asked me to post my slides. Keep in mind, the lecture is much more than a sum of the slides, but if you attended and missed a few things in your notes, click here!
Other Weekend Events
I really enjoyed the critiques by our juror, Kathleen Conover, as well as a demonstration by Judy Morris and a lecture by Michael Schlicting. But the best times of the convention were those down times, just visiting with artist friends from all over the state. We spent a lot of time remembering those who gave tirelessly to our organization, those who have passed or can no longer attend, and where we’ve been as a group. We also spent some time planning for the future and welcoming new members and taking in the beauty around us.
Judy Morris Demo
Michael Schlicting – on Sports and Art
I hope if you are close, you’ll take time to visit the Oregon Garden Resort Hotel. The paintings are on view throughout the month in the hallways of the hotel and the exhibit is free to attend. The 20 award winning paintings will travel the state for the following 6 months. I’ll keep the schedule updated on my Events page!
And if you’re a painter in Water Media, I’d encourage you to join us for our next convention, which will be held in October in Oregon City. There is more information on becoming a member at our website: WatercolorSocietyofOregon.com
I often begin my abstract painting process with the possible title for the painting. The painting seen here was a demonstration for a class I taught at Village Gallery of Arts as a substitute for a friend. I was thinking of the idea of tilling the fields, plowing, harrowing etc. and combining that idea with the idea of turning the land over to the next owners.
“Turnover” is my attempt to combine those ideas. For the moment the land is fallow, waiting for the next crop, the next memories to be made there.
The lesson involved using layers of line over various light shapes in the background. I’ve worked on the painting a bit more since the class. I took it to my critique group the day I started it. They suggested altering the shape that looked almost human, softening the blue diagonal between the left & right sides and a few other small touches.
I’m always interested in your comments on my work!
1237 S.W. 12th Ave. at Jefferson, Portland, OR 503-224-0674
View over 1,500 works for sale or rent from gallery artists and enjoy refreshments. Creative Costumes encouraged for this event!
Special Announcement: My new 18 month, Full Color Calendar Available!
Paintings and Quotes for each Month
Each month features a different image from the “Down on the Farm” series, plus an inspiring quote chosen specially for that month and that painting. Calendar begins with January. 2015 and ends in June, 2016. Great gift for yourself, or your friend or family member who likes to plan ahead!
Click here to preview my new Full Color Calendar, Paintings and Quotes for 18 Months!
Before the Artist’s Reception at Riversea Gallery, I took a one week workshop with Master Artist, Katherine Chang Liu in Ventura, California. I have been studying with Katherine on and off since the 1990’s. She has seen my work evolve from still life, through figurative and now on to my more abstract paintings.
Katherine’s instructional methods have also influenced my own teaching. She encourages artists to set their own goals and pursue their own paths. Her instruction hinges heavily on examining the work that other artists are doing, and considering carefully how to set one’s own work apart from the rest. Self-evaluation and self-generated questions are also an important part of the mentoring process. It is not as important whether the work pleases her, but rather does the work please the artist?
My work during the week focused on color and gestural mark-making. I am please with this piece because I feel that it has some of the strong design I’ve been seeking (an x shaped composition) along with very expressive, organic shapes and marks. The colors are more unusual and personal. One phrase that will help me judge my color as I move forward in this series is ‘rich, but not colorful.’ I think that is a good descriptor of my feelings about the place as well.
This particular piece about the farm is related more to the process of growing crops than about the view of buildings or man-made roads, etc. I hope you will let me know what you think… leave me a comment!
I have some other exciting news to share later in the week, and more new paintings. Stay tuned 🙂 If you are not yet subscribed to my blog, use the form on the top right edge of my blog to subscribe using Feedburner. You won’t want to miss a post! Feel free to share this image using the buttons below.
I wanted to finish this painting before my last class, but I hadn’t gotten as much feedback on it as I wanted. I missed one critique meeting because of teaching and the other was cancelled because of snow. Thank goodness for the internet! My friend Margaret gave me some feedback that I wanted to act on. I so enjoy the blogs I read that show a painting transforming over time. Somehow, my insecurities always make me hesitate to show a work in progress. If it is in progress, I’m not satisfied with it yet!
But in the interest of entertaining you, my readers, I’m baring all here! I have also been experimenting with shooting video while I paint… and I absolutely LOVE to watch the painting process at about 8x the regular speed. If only I painted that quickly! I hope you enjoy seeing how “Dark Water” evolved! I can’t believe how long it took to edit and voice-over this video, but it is finally done!