Kick These 5 Bad Painting Habits

Kick These 5 Bad Painting Habits

Kick These 5 Bad Painting Habits

"Singer" Watercolor on Paper 10"x10" ©Ruth Armitage SOLD

“Singer” Watercolor on Paper 10″x10″ ©Ruth Armitage SOLD

I’ve just spent the last month taking and teaching art classes, and it is surprising how often I see artists hampered by these bad painting habits.You may find yourself frustrated if you don’t kick these habits asap!

1. Leaving Your Brushes in Water or Solvent

This weakens the glue that holds brush bristles in the ferrule and damages the paint sealing the handle. Eventually the ferrule (the metal part holding your bristles) gets loose and wobbly. Working with brushes that are damaged is frustrating. When you rinse your brush, make it a habit to dry it and lay it down flat. Avoid storing the brush with the handle end down until the water or solvent is completely dried.

2. Thinning your paint too much

Watercolor artists are notorious for using very thin washes. I’ve observed many artists having a difficult time mixing a dark enough paint because they rinse between colors, adding water each time. Watercolors tend to dry lighter than they appear when wet. Your work will look freshest if you apply your washes at the proper value on the first pass.

3. Working constantly at close range

I, myself, am guilty of this one! We tend to get so absorbed in our painting that we forget to view it at different distances. Cultivate the habit of stepping back frequently. Giving yourself the perspective of your viewer is important. Work is rarely viewed at very close range.

4. Using your reference photo or drawing to make all your decisions

Part of the attraction of art is seeing how the artist uses their imagination. Translate your subject through your own design ‘filter’ to allow viewers a glimpse of your creativity.

5. Starting without a plan or value sketch

I often hear artists saying ‘I’m just playing’ when they talk about planning. Planning can also be playful… actually more playful than trying to make a painting work without a plan. Quick sketches are the sandbox of playfulness. Enjoy the process of trying out different ideas before you actually start painting. Sticking to a plan is easier if you jot down your ideas for dominance, color and values.

I hope these tips will keep frustration at bay for you! I find myself constantly reminded of them during my painting. Here are a few new images I’ve been working on recently. Do you have other suggestions of bad painting habits that need kicking? Let me know your thoughts.

"Whistling" Watercolor on paper, 10"x11" ©Ruth Armitage $295 unframed

“Whistling” Watercolor on paper, 10″x11″ ©Ruth Armitage $295 unframed

 

"Rocky Shore" Mixed Media on Paper ©Ruth Armitage 6"x6" SOLD

“Rocky Shore” Mixed Media on Paper ©Ruth Armitage 6″x6″ SOLD

Upcoming Workshops

August 12 – 18, 2018 – Creative Arts Community at Menucha, Corbett, Oregon: Painting with Digital Exploration:

Learn how digital painting can expand your creative process. Students will use the ProCreate app and and IPad to plan and alter works in progress. Learn to use this inexpensive app to try out ideas before you execute them in paint. A few spots remain: Click here to register

September 24-28, 2018 –ISEA Exhibition and Workshop, Newport, Oregon

October 22-24, 2018 – West Texas Watercolor Society, Lubbock, TX

 

Wax Workshop Confidential

Wax Workshop Confidential

See why Cold Wax Medium has captured the fancy of many contemporary artists. Join me for a hands on, interactive workshop that meets you where you stand on the journey of discovery in this sensuous medium.

"Telephone" Oil & Cold Wax on Panel, 12"x12" ©Ruth Armitage

“Telephone” Oil & Cold Wax on Panel, 12″x12″ ©Ruth Armitage

Painting in Oil & Cold Wax: March 28, 29 & 30, 2018 – 9 a.m. – 4 p.m. at Emerald Art Center, Springfield, Oregon. Click here to Register today:

https://emeraldartcenter.org/event/painting-cold-wax-oil/

I’ve found Oil and Cold Wax to be workable, flexible and consistently attractive to students and collectors alike. Unfortunately, I don’t offer many workshops in Wax, simply because of the space and infrastructure required.

What’s involved? We begin by preparing our painting surfaces and talking about subject matter. Even with abstraction, I find it very helpful to have an idea, emotion, or subject for each work of art. Painting in Oil & Wax involves the application of many layers of paint, with drying time between each. We’ll work on several different surfaces each day in order to keep muddiness at a minimum. You’ll learn different application techniques and see how they apply to design elements and principles.

A Small Group Setting

Class size is limited to make sure you receive personal attention and individual help in a safe and supportive environment. There are many advantages of learning in a small group atmosphere like this. You’ll not only learn from the lessons presented, but also from observing the progress and questions posed by fellow students. This dynamic ebb and flow of information is one of my favorite things about teaching workshops. I also love the immersion that happens in this concentrated 3 day session. No distractions – just time to focus on art.

You’ll have a chance to slow down, focus and connect with your inner creativity. I find that in these workshops, the enthusiasm in contagious. Watching the demonstrations and seeing how each person interprets them gives each student a deeper appreciation for the creative process. Not only that, but it allows students to free their minds of stress and worry and focus on their own personal expression.

Here are a couple of comments from recent students:

“Thanks for the great workshop today.  You created a lot of motivation for our members to stay and paint.  GOOD JOB!!!”

“We all had a wonderful experience! Thank you!”

Last Friday I spent the day with an experienced group of painters, the Buffalo Grass Watercolor group. Here are a few photos of my demonstration in progress. As you can tell, I was in a ‘purple’ mood!

Need more inspiration to join us? How about this quote by Mary Oliver:

“The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.” – Mary Oliver

I know I’m so glad that I decided to study art and become a life-long learner.

Bonus:

If you’re in the Salem area, you can catch a free lecture on CCTV channel 21 – I presented this lecture on Abstraction to the Institute of Continued Learning at Willamette University on February 3. It will air  2/14 at 12 pm, 2/16 at 8 pm, 2/19 at 8 am, and 2/22 at 2:30 pm.

Call to Artists:

I’ll be jurying the Spring 2018 Show of the Society of Washington Artists. Watercolor, Oil, Acrylic, Pastel and small 3-D subjects accepted. Click here for entry information.

Bring Spring Inside with an Abstracted Floral

Bring Spring Inside with an Abstracted Floral

Abstracted Floral "Wild Daffodil" Watercolor on Paper ©Ruth Armitage 22"x30" $1950

Abstracted Floral “Wild Daffodil” Watercolor on Paper ©Ruth Armitage 22″x30″ $1950

Yesterday was “Groundhog Day” in the United States, and those who are enduring a long harsh winter may be wanting to get a jump on Spring. There’s not a finer way to do that than to experiment with an Abstracted Floral!

My painting above “Wild Daffodil” was inspired by fields of daffodils that dot the countryside in Oregon. You can see where abandoned home sites were by scanning the beautiful green fields for waves of bright yellow, naturalized daffodils. The cheerful yellow always seems at odds with the fact that a home once stood there and now is gone.

I love the flowers that come from the fields – they are often tattered by weather, and many have grown away from their cultivated lineage to be wild, multi-petaled and blowzy. This painting would brighten up a bedroom, office, library, dining or living room. I love the drama that the dark background adds.

I used an app called IArtView to show how this work would look in a couple of different settings. A wonderful feature is you can also upload a photo of your wall and visualize how it would look in your home! Try it out!

Inspiration for Abstract Floral Paintings

If you’re looking for other floral inspiration, check out my Pinterest board. You’ll find interesting abstractions by some of the following 6 talented artists:

Jimmy Wright: This artist emphasizes the fluidity and motion of petals, and comes up with some pretty unusual and subtle color emphasis too.

Winifred Nicholson: I love the unified color in this simplified still life. You can almost smell the lily of the valley.

Jake Muirhead: Converting a colorful Iris to black and white, Jake also adds drama and personality using line and simplifying the setting.

Scott Conary: Scott’s textural paint application and emphasis on pure vs. subdued color make me want to touch his work. They also touch me!

Ophelia Pang uses bold and repeated shapes to create entertaining and playful abstractions.

Sandrine Pelissier creates fantastic patterns and flattened shapes from her imagination.

If you’re an artist you can try some of the following methods:

  • emphasize one part of the flower, like Jimmy Wright
  • use a monochromatic palette, like Winifred Nicholson
  • add texture with brushwork, like Scott Conory
  • create patterns and funky shapes like Ophelia Pang, Sandrine Pelissier or me!

Where should I go next?

Finally, I’m taking a poll: help me decide the next travel workshop I should offer! Vote for your favorite locale below:

What are your top 2 destinations for an art workshop?

View Results

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Procrastinators Unite and a New Strange Creature

Procrastinators Unite and a New Strange Creature

As procrastinators go, I would rate my ability to ‘do it later’ as above average. That doesn’t mean that I don’t aspire to become a better procrastinator. This trait is vital to my success as an artist. You may be wondering: ‘Is she serious?!’

Procrastinators Unite

Yes! Let me explain. Artists must wear many ‘hats’ to sustain their small business. Marketing, networking, framing, presentation, book-keeping, graphic design, reproductions, and (in my case) teaching. I forgot to mention one other very important thing: making the art! It is easy to lose sight of the importance of regular studio time when faced with that long list of business oriented work. Add in household duties or a small farm, as I do, and you have many choices for how to spend the few productive hours in a day.

One way that I cope is to joke with myself about being a ‘good procrastinator.’ I’ve even set goals to become better at procrastination. I’m not talking about wasting my time… I’m just choosing to put off things that can wait till less productive hours. For example, I can do laundry in the evening when my brain is fried. Or I might postpone writing a blog post until I’ve finished new work.  Another great way to procrastinate is to put off running errands until you can consolidate several into one trip. This is especially beneficial for those of us who live far from a Metro area.

In all seriousness, I like to enter my studio with the goal of just fooling around for a little while. Giving myself strict productivity goals often seems to backfire. Forcing productivity turns off the part of my brain that just wants to play with color. Being responsible is not for day-dreamers like me. (At least not while I’m in the studio.) I love Mary Oliver’s take on the Artist’s Task – part of the collection of essays in Upstream. Read her view on solitude and responsibility here. Un-interrupted by my more responsible self, I’m free to chase ideas to my heart’s content.

I’m not good enough at procrastination to go full blown ‘Instant Gratification Monkey’ like Tim Urban. If you haven’t seen his TED talk, do yourself a favor and hop on over to take a listen. This is the self-defeating phenomenon described in Steven Pressfield’s War of Art – when someone is resisting doing the difficult thing. Ultimately I’m trying to fool myself out of ‘resistance.’ If I can trick my mind into feeling like I’m playing hooky from important jobs, then the artwork becomes the instant gratification!

Are You Procrastinators?

When do you procrastinate? Does it help you or hurt you? How? I’m fascinated by how each of us self-manage. If I were a negative person, I’d be beating myself up right now. I’ve started 6 blog posts today, and finished only one of them. However, I choose to look at the glass as half-full. I have the start of 6 fabulous essays ready to be fleshed out. I’m excited to add to the ideas that came up while I wrote this post.

A New Strange Creature

"Do Not Hesitate" ©Ruth Armitage, 2017, Watercolor on Paper, 11x15"

“Do Not Hesitate” ©Ruth Armitage, 2017, Watercolor on Paper, 11×15″

I’ve put off the real reason for this post long enough! I’ve been in the studio and here is the latest and greatest. This new abstraction was inspired by a memory of chasing the cows when I was a kid. Our fences on the farm were more like suggestions. The cows frequently escaped their pasture and wandered around. This summer day, it was my designated job to get them back into the pasture. We had seen the herd near a slough in the center of a large field – probably 200 acres. Normally I’d do this job on foot, but I was getting older and smarter, so I took my horse! I was about 11 years old, and riding bareback.

As I approached the slough, the scent of wild mint wafted through the warm air and I felt happy. Suddenly, the neighbor’s giant Polled Hereford bull ambled out of the thicket of brush and lily pads. Fear and panic surged through me as I quickly decided that even on horseback I didn’t want to tangle with this creature. I did not hesitate: I escaped with my horse and called for reinforcements.

Trying to paint this memory, I knew that I wanted the peaceful and fragrant greens, contrasted by the sinister blacks and bolts of red fear. I tried to channel both the peace and the fear – thinking about a poem by Jane Hirshfield titled “Each Moment a White Bull Steps Shining into the World.” 

Give it a read, then let me know your thoughts about the poem, the painting or procrastination. I hope your New Year’s resolution involves hanging out with procrastinators like me! Finally, don’t wait: tomorrow is the final day to enter my giveaway! Click here to enter: http://rutharmitage.com/solstice-giveaway/

Solstice Giveaway

Solstice Giveaway

Happy Solstice! Thank you for being a loyal visitor to my site. I’ve been reviewing how my blog and website have grown since I began in 2007. This month my site had almost 80,000 visitors. That’s a far cry from my humble beginning when I had a modest 371 visitors – my whole first year’s traffic totaled 3,738 visitors. Persistence has paid off! So thank you for reading, visiting and sharing this little slice of the internet.

I wish I could send every one of you a gift, but I do want to treat one special reader with the gifts pictured above. First, you’ll love the DVD of Carla O’Connor’s design process in Gouache – opaque watercolor. Carla is one of my favorite artists and teachers and Creative Catalyst Productions are always top notch. Even if you’re not an artist, it is fascinating to see how someone puts their paintings together. Next, I’m including a small 8″x8″ print of one of my cold wax paintings titled “New Green.” It is printed on a cradled panel and ready to hang or frame as you see fit. Finally, I’m tucking in a box set of 8 notecards featuring my artwork – 2 of each design. If you are the lucky winner, I’ll notify you via email and send this off to you anywhere in the continental US.

Enter below, and share this post with your favorite social media. I truly appreciate your support.

a Rafflecopter giveaway

A Solstice Blessing

“We need society, and we need solitude also, as we need summer and winter, day and night, exercise and rest.” – Philip Gilbert Hamerton

I wish you both solitude and society – time to evaluate where you’ve been and to plan where you’re going. And I wish you all the good things that life can offer – each in its time.

Seasons and Change – New Work for Portland Open Studios

Seasons and Change – New Work for Portland Open Studios

They say Change is inevitable but Growth is Intentional. I have a few new pieces for Portland Open Studios, getting them framed up this week! Please plan to visit me October 14-15 or 21-22, 2017 from 10-5. My studio is #7 on the tour in Community 1. There are several other great artists showing in our area! You can download the free app with addresses, or the paid phone app that shows 3 images per artist. Here is the link! Or you can purchase the tour book, which also includes a directory of teaching artists. Only $15. I have several available here at the studio. Here is a link for a map to my studio from points North. And this link provides a map to the studio from points South.

This week will be my first try at framing an oversized work myself (Fishing in the Dark – below.) Wish me luck! My least favorite part is placing plexiglass over the mat and painting without getting any dust or specks on it! Difficult! If anyone has any tips or tricks for this, I’m more than willing to listen.

"Fishing in the Dark" Watermedia on TerraSkin, 30"x30" ©Ruth Armitage

“Fishing in the Dark” Watermedia on TerraSkin, 30″x30″ ©Ruth Armitage

Changing Artwork

I adore this change in the seasons and cooler, crisp fall temperatures here. My mom reminded me that each fall and spring, during the Big CLEAN, her mother would rearrange all the artwork in the house. It is amazing how changing the position of a painting lets you see it with new eyes. I’ve been doing a bit of that myself… getting ready for the Portland Open Studios tour. I think this year I will re-hang work in other rooms of my house too. I’ve had to do that unintentionally, since I robbed our powder room for the Local 14 show last weekend. I didn’t get all my paintings packed up and have to go back for them! OOPS! So I put Orchard’s Edge in the powder room instead of “Autumn Tilling.” I like how it looks!

Complex Vs. Simple

Orchard’s Edge is an homage to this fall weather, the neutrals, and subtle colors of grasses against the backdrop of a dark orchard. I have been thinking about my parents’ farm and what it will look like when the hazelnut trees are grown up. I don’t like to think about how that change will look. But I have to accept it. As a painter, it is difficult to abstract something like an orchard. I chose to represent it as the dark band at the top of the painting. The next band represents grasses, and the bottom area represents water. Attempting a banded composition like this requires an artist to find exciting ways to break up all the stripes and make each one interesting, to hold the viewers eye.

"Orchard's Edge" Mixed Media on Paper, 15"x22" ©Ruth Armitage

“Orchard’s Edge” Mixed Media on Paper, 15″x22″ ©Ruth Armitage

I have been finding that many viewers prefer a calmer composition like this to the more complicated, active compositions of a painting like “Seismic Shift.” Just like some people prefer seafood and others prefer steak… What is your preference? Do you prefer simple or complex paintings? Leave me a comment.

“Beauty is the only thing that time cannot harm. Philosophies fall away like sand, creeds follow one another, but what is beautiful is a joy for all seasons, a possession for all eternity.”

-Oscar Wilde

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