I thought it might be fun for readers to see the process I use when painting from a photo or snapshot. I have to give most of the credit for this process to Donna Zagotta, who emphasized this design process in her workshop. I’m hoping my own style comes through in the actual painting though, and not hers! Let me know what you think….

Here's my inspiration photo of my darling friend, Susie

My next step was to simplify and hone in on the parts of the subject that interested me by creating a line drawing as seen below.

 

Notice how much information I eliminated in this stage

Another objective was to try to combine shapes to make larger shapes, ending with about twelve large shapes. I also looked for a variety of sizes of shapes, large & small, simple and busy.

Next, I experimented with value patterns, or patterns of dark and light areas. Below you can see several of my ideas sketched out.

Using tracing paper for this step makes it easier… I didn’t have to re-draw my shapes each time. You can see that the first sketch is closer to what was actually in the photo, but it felt a bit too dark and too simple to me. Sketch # 2 was a bit better, but I felt like sketch #3 had the mood of fun and excitement that I was looking for.

Next, I did a small (3″x4″) color study. I always love to emphasize color and push the envelope. This was a chance to play and I love the fresh quality of the sketch.

At this point, I noticed some opportunities to connect lights and darks and made a few notes about things I didn’t like about the sketch. One thing I wanted to eliminate was the contrast at the edge of the curves arching away from the head. That’s one thing I changed when I did the final painting. Can you spot others? I may try this subject again in a different palette, but for now… here is the final image: “Star-Struck”

 

"Star-Struck" copyright Ruth Armitage 2011 22"x15" Watercolor & Gouache

 

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