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Workshops

Ruth brings clarity to the creative process for her students. There is so much to think about: design elements, composition, content. Her goal is to help students solve the creative puzzle. She teaches them to put their inner critic to work rather than let it become an obstacle to success.

Ruth enjoys teaching the creative process and watching lightbulbs come on in her students’ eyes. She and her husband Marc maintain a small farm and studio in rural Oregon City.

Ruth Armitage  is a signature member of the  National Watercolor Society , Rocky Mountain National Watermedia, San Diego Watercolor Society, Watercolor West, California Watercolor Association and the Northwest Watercolor Society, and Past President of the Watercolor Society of Oregon. The Watercolor Society of Oregon has awarded her its Outstanding Service Award.  Ruth’s work has received many local and national awards, including the Loa Ruth Sprung Award in the National Watercolor Society’s 95th Annual Exhibition.

Inclusion in numerous national publications and exhibitions has led to wide-spread recognition for Ruth. You may have seen her work profiled on Oregon Public Broadcasting’s “Oregon Art Beat.” Most recently Acrylic Artist Magazine ran a 10-page feature article in their Spring 2016 issue.

You can find Ruth’s work in Portland at the Portland Art Museum’s Rental Sales Gallery, Freed Gallery in Lincoln City, and Earthworks Gallery in Yachats, OR. She is a gifted  instructor and has juried national, local and state exhibitions.

Domaine du Haut Baran, Lot Valley, France October 2021

If you’re like me, when you plan a trip to a foreign country you would like to avoid following the masses of folks who get all their information from a guide book. You’d like to sample a taste of what residents of the area do for fun, get to know a bit of history, and dine in out-of-the-way bistros without having to struggle over a menu.
But language can be a barrier. And how were you to know that yesterday was a special music festival (antique fair, farmer’s market, etc.) in that little village? If only you’d had a bit of inside knowledge! And what is the best time to visit that can’t-miss-it attraction? Where might you stop to eat? What are the best plein-air painting locations? Click below to find out why this trip will have you pinching yourself!

The trip with the art group to southern France was wonderful! It was a highlight in my life!
I am so happy I got to go! I never thought I’d get to go to Europe, and it was a fantastic way to do it!
Thank you for making that workshop available!”

-Cindy, participant 2019

“I loved our trip in so many ways and really, really thank you for wondrous instruction and for setting such a tone of joy and ease.”

– Leslie, participant 2019

 

New Workshop! Tide Lines - Cold Wax and Oil with Collage

“Limpet” Cold Wax and Oil on Panel with Found Objects

June 14 – 17 Hybrid Model – both in person at Sitka Center for Art & Ecology, Otis, Oregon AND Online. Read details at Registration link, below.

Tides rise and fall, leaving behind evidence of where the water has been. Join me to explore combining abstracted cold wax painting with assemblage and collage to create paintings that express the change and impermanence of the tides. You will work on several small panels using flotsam and found objects along with oil paint and cold wax. Learn how this slow-drying medium creates texture and allows you to adhere small, light objects to the painting surface. Class topics include content, composition, contrast, mark-making, color and texture. You will leave with at least four completed works and several others started.

Land Lines

“Forest Vineyard” Mixed Water Media on Paper, 22″x15″

 

Making line is our first experience of art as children. It is as old as cave art, and as contemporary as graffiti. For painters, it is often overlooked in favor of texture, value, shape, form or color.

Join Ruth for this 3-day online workshop exploring personal mark-making inspired by the landscape. You’ll experiment with different mark making tools and a symbolic, abstracted approach.

Using script, repetition, direction and layering to interpret or symbolize a specific, special place, will convey feelings more potently than realistic rendering. This class is suitable for both watercolor and acrylic painters.

All content will be accessed through my learning portal on thinkific.com and via Zoom live video/voice calls. You will need access to the internet: a laptop or desktop is best, but tablets also work. You’ll need to be able to log in, upload images for review, etc.

If you are not sure whether you’ll be able to navigate the technology, preview my free mini-workshop: Texture Explorations here: https://artistruth.thinkific.com/courses/texture-explorations?ref=3a55e7

Looking Ahead

Save the dates and watch this space for details coming soon!

More information coming soon!

September 13-15, 2021 

Southwestern Watercolor Society, Dallas, TX – More information to come.

February, 2022

Tubac School of Fine Art, Tubac, AZ – Registration details TBA

April 8 – 10, 2022

Madison Watercolor Society, Madison, WI – Details forthcoming

Notify me of new classes or workshops
Sign up for email news, twice a month, including notification about new workshops. Classes fill fast, and subscribers receive first notices!

All available spots in this program have been filled. Click here to join my email list for notifications of future offerings.

“It was a very rewarding workshop. I feel everyone came away with new and exciting ideas. What I liked most was the slide examples and your description of how, why and what makes each work. No, maybe it was the exercises, no the demos, no the something different each day, or maybe it was —- everything. I felt your workshop was a good all around learning experience for everyone, any level. You have such a great since of humor, it made us all feel relaxed and right at home. “

Rhonda

“Ruth, I think you are a wonderful teacher. Thank you for your positive and fun attitude. I especially liked to learn from your example, and I was glad to see you paint and struggle at times too…then solve whatever problem a work presented.”

Debra Chase

From a Reader...

"I want you to know how valuable this particular newsletter was to me. The past few months I have been working on some memorial prints. My mother passed away two years ago and I have wanted to express some of my loss, love and memories in a visual way...
After reading your writing about triggers, I decided to try to redefine my challenges, to take a deep breath and lean in to my mother’s presence. I started today. The release and the joy…. along with a few tears was almost immediate. Mom is with me as I explore the mark making... Your contribution lightened my heart and allowed me to move forward."
Many thanks,
Patricia Giraud

PatriciaLGiraud.com

Ruth is a modest and approachable professional with lots of experience she is willing to share. My learning experience in this class was better due to several types of teaching methods—- personal art evaluations, teaching time, reference examples/materials and frequent desk critiques.

I left feeling excited and inspired about my art and a new approach to my creative process.”

Jean

“I’ve taken several classes from Ruth over the years. With each class I’ve come away with gems that have remained in my tool box. In her most recent workshop, I wanted to learn more about how to implement line. I feel that I accomplished that along with so much more. Ruth is such a generous teacher, always willing to go to the next step in the process.”

Jennie O'Connor

“Ruth has so much to offer in many different aspects of creating artwork. She is approachable and respectful. She ranks well among the other excellent classes I have taken.  Ruth is decisive and thoughtful with her answers. Her ability to be personal and honest yet gentle are commendable. The class was worth my time and money and I have come away with many ideas, both theoretical and practical to work with.”

Lisa

Cancellation and Refund Policy

For workshops sponsored by outside organizations, please see their individual refund policies on their registration pages.

Workshops sponsored by Ruth Armitage Studios: Tuition is refundable less a $100.00 administrative fee, which will be retained for all cancellations to offset the considerable time involved in accounting, corresponding and registering participants. Often other artists miss out because the class is full and they are not able to register in a timely fashion. For cancellations less than 45 days before the workshop begins, tuition is non-refundable, unless a waiting list participant takes your place. No refunds for no-shows or withdrawals after a workshop has begun, regardless of the reason.

In the rare case that a workshop must be cancelled due to the illness of instructor or due to insufficient enrollment, inclement weather or acts of God, students will receive a full refund.

Interested in a Workshop in Your Area?

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I am available for jurying and workshops starting in 2019. Click the Contact button below to receive a packet with course description, work samples and testimonials.

Workshops generally span 3, 4 or 5 days and can be customized for your group. Please provide information about location and the needs of your group. I look forward to hearing from you!

 

About the Instructor


Armitage, Ruth 1Ruth Armitage is a signature member of the National Watercolor Society, the Northwest Watercolor Society, Rocky Mountain National Watermedia,  the California Watercolor Society and Past President of the Watercolor Society of Oregon. The Watercolor Society of Oregon has awarded her its Outstanding Service Award and nominated her as Oregon’s Delegate to the Western Federation of Watercolor Societies.

Ruth’s work has received many local and national awards and been included in numerous national publications and exhibitions. In 2004 her work was profiled on Oregon Public Broadcasting’s Oregon Art Beat.

You can find Ruth’s work at the Portland Art Museum’s Rental Sales Gallery. Ruth has enjoyed teaching for over 20 years and watching lightbulbs come on in her students’ eyes.

Ruth's Studio

Ruth’s home studio is perched above an oversized three-car garage, with dormer windows and excellent lighting. Each participant will have an ample work area: both seated and standing areas are available. If you work with an easel you are welcome to bring it. Lunches and slide programs are held in the kitchen and family room of the home. Refrigerator space is available to keep your lunch cold. Ruth provides coffee, tea and munchies. You will enjoy beautiful territorial views if you wish to paint plein air, including the farm’s  goats and sheep. You’ll find ample parking and the company of studio companion “Russell.” 


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