Workshops

 

Domaine du Haut Baran, Lot Valley, France - August 2020

France Flier 2020

The trip with the art group to southern France was wonderful! It was a highlight in my life!
I am so happy I got to go! I never thought I’d get to go to Europe, and it was a fantastic way to do it!
Thank you for making that workshop available!”

-Cindy, participant 2019

 

“I loved our trip in so many ways and really, really thank you for wondrous instruction and for setting such a tone of joy and ease.”

– Leslie, participant 2019

 

Cancellation and Refund Policy

For workshops sponsored by outside organizations, please see their individual refund policies on their registration pages.

Workshops sponsored by Ruth Armitage Studios: Tuition is refundable less a $100.00 administrative fee, which will be retained for all cancellations to offset the considerable time involved in accounting, corresponding and registering participants. Often other artists miss out because the class is full and they are not able to register in a timely fashion. For cancellations less than 45 days before the workshop begins, tuition is non-refundable, unless a waiting list participant takes your place. No refunds for no-shows or withdrawals after a workshop has begun, regardless of the reason.

In the rare case that a workshop must be cancelled due to the illness of instructor or due to insufficient enrollment, inclement weather or acts of God, students will receive a full refund.

 

 

New Workshop! Tide Lines - Cold Wax and Oil with Collage

June 26 – 29, 2020

Sitka Center for Art & Ecology, Otis, Oregon

Tides rise and fall, leaving behind evidence of where the water has been. Join me to explore combining abstracted cold wax painting with assemblage and collage to create paintings that express the change and impermanence of the tides. You will work on several small panels using flotsam and found objects along with oil paint and cold wax. Learn how this slow-drying medium creates texture and allows you to adhere small, light objects to the painting surface. Class topics include content, composition, contrast, mark-making, color and texture. You will leave with at least four completed works and several others started.

Looking Ahead

Save the dates and watch this space for details coming soon!

September 15 – 17, 2020:

Colorado Watercolor Society  – More information coming soon!

September 13-15, 2021 

Southwestern Watercolor Society, Dallas, TX – More information to come.

April 8 – 10, 2022

Madison Watercolor Society, Madison, WI – Details forthcoming

“It was a very rewarding workshop. I feel everyone came away with new and exciting ideas. What I liked most was the slide examples and your description of how, why and what makes each work. No, maybe it was the exercises, no the demos, no the something different each day, or maybe it was —- everything. I felt your workshop was a good all around learning experience for everyone, any level. You have such a great since of humor, it made us all feel relaxed and right at home. “

Rhonda

“Ruth, I think you are a wonderful teacher. Thank you for your positive and fun attitude. I especially liked to learn from your example, and I was glad to see you paint and struggle at times too…then solve whatever problem a work presented.”

Debra Chase

I came away with a multitude of ideas. I feel more confident in how I will approach my art. Ruth gave me the key to unlock my ideas and get them down on canvas and tools to go beyond the basic beginning. She is a gentle, effective teacher. She knows when to leave you alone and when to offer help.”

Buff Holtman

Ruth is a modest and approachable professional with lots of experience she is willing to share. My learning experience in this class was better due to several types of teaching methods—- personal art evaluations, teaching time, reference examples/materials and frequent desk critiques.

I left feeling excited and inspired about my art and a new approach to my creative process.”

Jean

“I’ve taken several classes from Ruth over the years. With each class I’ve come away with gems that have remained in my tool box. In her most recent workshop, I wanted to learn more about how to implement line. I feel that I accomplished that along with so much more. Ruth is such a generous teacher, always willing to go to the next step in the process.”

Jennie O'Connor

“Ruth has so much to offer in many different aspects of creating artwork. She is approachable and respectful. She ranks well among the other excellent classes I have taken.  Ruth is decisive and thoughtful with her answers. Her ability to be personal and honest yet gentle are commendable. The class was worth my time and money and I have come away with many ideas, both theoretical and practical to work with.”

Lisa

Interested in a Workshop in Your Area?

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I am available for jurying and workshops starting in 2019. Click the Contact button below to receive a packet with course description, work samples and testimonials.

Workshops generally span 3, 4 or 5 days and can be customized for your group. Please provide information about location and the needs of your group. I look forward to hearing from you!

 

About the Instructor


Armitage, Ruth 1Ruth Armitage is a signature member of the National Watercolor Society, the Northwest Watercolor Society, Rocky Mountain National Watermedia,  the California Watercolor Society and Past President of the Watercolor Society of Oregon. The Watercolor Society of Oregon has awarded her its Outstanding Service Award and nominated her as Oregon’s Delegate to the Western Federation of Watercolor Societies.

Ruth’s work has received many local and national awards and been included in numerous national publications and exhibitions. In 2004 her work was profiled on Oregon Public Broadcasting’s Oregon Art Beat.

You can find Ruth’s work at the Portland Art Museum’s Rental Sales Gallery. Ruth has enjoyed teaching for over 20 years and watching lightbulbs come on in her students’ eyes.

Ruth's Studio

Ruth’s home studio is perched above an oversized three-car garage, with dormer windows and excellent lighting. Each participant will have an ample work area: both seated and standing areas are available. If you work with an easel you are welcome to bring it. Lunches and slide programs are held in the kitchen and family room of the home. Refrigerator space is available to keep your lunch cold. Ruth provides coffee, tea and munchies. You will enjoy beautiful territorial views if you wish to paint plein air, including the farm’s  goats and sheep. You’ll find ample parking and the company of studio companion “Russell.” 


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