Art supplies are magic. They can make even the most unimaginative artist want to pull up the nearest easel and start creating. Like the smell of a new box of crayons at the beginning of the school year, new art supplies really stir my soul. If I’m in an artistic slump, visiting an art store or a trade show gets my creative juices flowing.
At our convention for the Watercolor Society of Oregon we had a fabulous trade show this month. I was able to learn from representatives for Winsor & Newton, Daniel Smith, DaVinci, Strathmore and many more. I tried new colors, learned about old ones, and sampled brushes and papers to my heart’s content.
I even brought home some new things to try!
There was only a slight danger that I would fall in love with something totally new, and switch the course of my artwork forever. After all, the supplies only get you started on your art journey. What keeps you coming back for more is the content or essence, the meaning in the art.
Art Supplies Aren’t the Only Answer
Read more about this subject: Don’t Dilute Your Aesthetic Urge. I enjoy demonstrating my techniques in watercolor, acrylic, oil and mixed media. But, what really gets me excited in teaching is to see students take risks of expression. These brave souls challenge themselves to make a statement that is truly personal. They often find a way to express themselves that is unique and new. That is the ultimate goal of working with new materials.
I’ll be sharing my process for painting with Oil & Cold Wax medium this Saturday at Art Extravaganza! Read all about it in this earlier post. The event is another opportunity to learn about materials, experiment, and network with other artists.
Six Reasons to Stop By:
- Product Demonstrations
- Door Prizes
- Pop-Up Store by Merri Artist
- Panel Discussion by CERF
I hope you’ll find yourself dreaming of new creations and Art Supplies after this fun event. Bring a friend and Join me!
Can’t make it, but want to learn more?
Think about joining one of my upcoming classes: Click here for a full listing. Here’s another fun post from the archives about taking art classes. Or Sign up for my email list to read about other opportunities.
Art Inquiries To Take Seriously
Art Inquiries that Pass Muster have many of these qualities:
- Proficient grammar and natural writing style in the initial email
- The email mentions a specific work
- The writer follows up upon learning my studio sales policies and shipping policies
- Signature and email relate to each other – for example Jane Doe’s email might be email@example.com
- The writer includes a phone number
- When I look up the writer in a google search, the information I find matches what they mentioned in the email
How do you tell whether that email you’ve received from your website is for real? I’ve been fortunate enough to sell a few pieces of artwork via my website. Of course more than my fair share of fraudulent or scam emails come my way too.
Recently I sold a painting to a law firm in California via an Art Consultant who contacted me through my website. Here are some photos that Art Consultant Phillip Mehas shared of the piece installed at Haynes and Boone, LLC.
Doesn’t this contemporary art complement the lobby?
Another view of the lobby and its new artwork
It pays to be cautious when dealing with unknown parties on the internet. Even though I felt pretty sure this inquiry was not a fraud, I didn’t ship the work until after the payment had cleared my bank. I handled the shipping myself and worked with the buyer to make sure it would be reasonably priced.
In this case, the consultant found my work by searching the website of the California Watercolor Association. I am a Signature Member of that group, and they link to my website. The client was searching for a watercolor, but fell in love with this work instead. It is gratifying to know that my work is making this office shine!
Check out this article by Agora Gallery on recognizing fraud or scams. While we don’t want to alienate a potential buyer, artists must always protect themselves from online scammers. Usually when I make my policies known, scammers realize that they can’t work with me and I never hear from them again.
My Basic Internet Sales Policy:
- Unless I know the buyer, I require payment by Paypal or a similar service. I do accept business of personal checks, but only for the actual amount of the sale, and I don’t ship until the check has cleared.
- I give a separate quote for shipping based on actual delivery address, or deliver if it is a local sale.
- If possible I try to speak to the buyer on the phone.
- My tone is prompt and firm, but polite.
- The buyer is encouraged to ask questions and I try my best to make sure everything is clear, from shipping to returns.
WFWS42 and WSO’s 52nd Annual Spring Exhibition
The Jordan Schnitzer Museum of Art hosts “Pour It On! Watercolors from the West.” This exhibition features work from the Western Federation of Watercolor Societies and the Watercolor Society of Oregon.
On view from April 8 to June 19, 2017, “Pour It On!” is three shows combined into one.
Work on view explores the range of water-based media, including acrylic, casein, collage, gouache, tempera, and translucent and opaque watercolors. Here is a link to one of the paintings I’ll have in the show.
The exhibition will open with a free, public reception on Friday, April 7, from 6 to 8 p.m. I hope to see you there! Invite a friend and share this post on your favorite social media. On Sunday, April 9, at 2 p.m., McGuire will lead a tour of the exhibition.
“Rust” ©Jeannie McGuire
This project has occupied my time for the last five years or so. I’m thrilled to see it coming together in such a fantastic way. Each year, a different regional member society hosts the Western Federation of Watercolor Society’s annual juried exhibition. This is the first time that the Watercolor Society of Oregon will serve as the host and we are excited to help bring this show to life.
About the Jordan Schnitzer Museum of Art
We are grateful to the Jordan Schnitzer Museum of Art for its support of the exhibition. The University of Oregon’s Jordan Schnitzer Museum of Art is a premier Pacific Northwest museum for exhibitions and collections of historic and contemporary art based in a major university setting. The mission of the museum is to enhance the University of Oregon’s academic mission and to further the appreciation and enjoyment of the visual arts for the general public. The JSMA features significant collections galleries devoted to art from China, Japan, Korea, the Americas, and elsewhere as well as changing special exhibition galleries. Additionally, the JSMA is one of seven museums in Oregon accredited by the American Alliance of Museums.
The Jordan Schnitzer Museum of Art is located on the University of Oregon campus at 1430 Johnson Lane. Museum hours are 11 a.m. to 8 p.m. Wednesdays, and 11 a.m. to 5 p.m. Thursdays through Sundays. Admission is $5 for adults and $3 for senior citizens. Free admission is given to ages 18 and under, JSMA members, college students with ID, and University of Oregon faculty, staff and students. For information, contact the JSMA, 541-346-3027.
Watercolor Society of Oregon
To top it all off, WSO also sponsors their bi-annual Watercolor Convention in Eugene, April 7 – 9, including watercolor workshops, lectures, paint-outs and more. Ms. McGuire leads a 5 day workshop March 27th – 31st. Finally, more information is available on the WSO website: www.watercolorsocietyoforegon.com or on the WFWS website: www.wfws.org.
If you’ve never experienced Art Extravaganza, you’re in for a treat! Sponsored by the Clackamas Art Alliance, this vendor trade show is an opportunity for artists, educators, students and all art enthusiasts to test, try and buy new and favorite art supplies and tools.
- Product Demonstrations
- Artist Demonstrations and Lectures
- Panel Discussion by CERF+
- Door Prizes
- Networking Opportunities
- Pop-Up Art Materials Store by Merri Artist
Some of the many exhibitors:
- Faber Castell
- Gamblin Artists Colors
- Mel’s Frame Shop
- ReClaim It!
- Strathmore Artist Papers
- Winsor & Newton
It’s free to attend, and the mini-workshops are very reasonable. Also, I’ll be giving a lecture and demo of my process using Oil & Cold Wax Medium on Panel from 10:30 – 12:30. Tuition is $10 and space is limited.
If you’ve been thinking about taking my workshop in June at Oregon Society of Artists, this would be a great preview of the class.
You can get tickets and pre-register for the free trade show by clicking below. The first 50 people to pre-register will be entered in a drawing for a reproduction of Susan Kuznitsky’s pastel painting, beautifully framed by Mel’s Frame Shop. Register Here
Here are some of the other artists who will be sharing demonstrations:
- Shelly Caldwell – Mixed Media Assemblage
- Renè Eisenbart – Watermedia Painting
- Sheila Ford Richmond – Block Prints, Fabric Paints
- Karen Hadley – Mixed Media, Acrylic, Collage
- Susan Kuznitsky – Pastels
- Cindy Lommasson – Chinese Brush Painting
- Sarah Sedwick – Artgraf
- Amanda Sweet – Watercolor
Finally, check out the event page for a full list of vendor exhibitors, classes and demonstrations. I hope to see you there! And just in case you think winter will never end here in Western Oregon, I’ll leave you with nature’s own Art Extravaganza, directly from my soggy garden – Happy Spring!
Learn About the Artist’s Palette
“Summer Storm II” ©Ruth Armitage, Watercolor on Paper, 22×30″
Join me from 12-3pm on Saturday, February 25th, 2017 at the Portland Art Museum’s Rental Sales Gallery. You’ll have a chance to meet and visit with 4 artists: Chris Bibby, Chuck Bloom, Rachel Wolf and me.
You’ll also get to explore different wines by Chehalem Vineyards to excite your palate.
Two palettes or palates in one day! (*grins*)
I have decided to talk about my color palette… something that remains fairly consistent between the different mediums I work in: Oil, Watercolor and Acrylic. Each artists palette is as individual as a snowflake. I’ll discuss some of my favorite hues and how I use them.
One thing non-artists may not know is that in each medium, the relative properties of a pigment remain fairly consistent. For instance, Cadmium Red is an opaque (can’t see through it) pigment in watercolor, acrylic and in oil paint. Pigments can be classified as transparent, semi-transparent or opaque. They can also be synthetic or organic, staining or non-staining, pure or neutral… You’ll hear me throwing a lot of these terms around when I discuss the pigments.
I’ll also talk about choosing a mixing surface for each medium. Watercolorists often refer to this mixing surface as a palette, so it can get confusing! Throw in the palate you use to taste food and wine, and a person could get lost in the terminology. Fortunately, both color and wine provide subtle and unlimited variations of bliss.
I will bring some new work, too, so come downtown and check it out! I’m including a handy map, so you can easily navigate, and parking isn’t usually a problem in this area. I hope to see you there!
The gallery is located on SW 10th Ave at Jefferson Street, Portland, Oregon. 503-224-0674
Oregon has had its share of ice this winter, and I took advantage of this unusual weather to do a bit of ice crystal painting.
I wet a sheet of 300 lb. Fabriano soft press watercolor paper, took it outside into the freezing cold, and dropped fluid acrylics and acrylic inks onto the surface, allowing the ice crystals to form patterns on the paper as they solidified. Then I brought it inside and kind of forgot about it, until it was time to do a demonstration for a local watercolor group.
Here is what my ‘start’ looked like after it dried. It’s hard to see in this image, but the paint dried in a crystalized pattern in some of the thinner areas. I love the lacy texture it left in different areas of the work.
1 – transparent colors work better
2 – the paint and ink need to be slightly watery.
This detail image shows part of the painting that has ice crystal formations
I thought I’d share a few in process shots that my friend Liz Walker took during the demonstration. As I worked, I was thinking about my childhood experiences at the local swimming hole on our property. I added calligraphy using a water soluble crayon, and started putting in shapes and color variation. One of my goals was to keep the color changes fairly subtle.
“To be nobody but yourself in a world which is doing its best day and night to make you like everybody else means to fight the hardest battle which any human being can fight — but never stop fighting.” — e.e. cummings
Finally I started adding small detail using an acrylic marker.You can see some of the areas in the detail shots below.
And I started varying the color more! Jeez – This doesn’t look at all subtle!
Here is how the painting looked at the end of the demonstration.
When I took a look at it this week, I decided that the top 1/3 of the painting needed to be simplified and lightened. Here’s how it looks now! I hope you’ll try ice crystal painting next time you encounter some freezing weather! I’d love to hear your thoughts on seeing the process. Questions and comments are welcome.
“Jump” ©Ruth Armitage, Acrylic on Paper 30×22″