A friend recently asked me how I choose which art competitions to enter. I have a complicated set of criteria that I look at. In general I consider the Risks vs. Rewards. I believe that most of us are our own worst critics. Entering shows sometimes feels risky, yet competitive exhibitions are just another venue for sharing your art. James Clear writes about that risk:
“You can either be judged because you created something or ignored because you left your greatness inside of you.” – James Clear
First, my 5 Important Criteria for avoiding risk:
1. Do I respect the juror?
This is my most important question. I ask myself if I’ve:
heard them speak
taken a workshop from them
seen a show that they have juried
been rejected by them in the past
watched them conduct a critique
read one of their articles or blog posts
Furthermore, I consider whether or not I find the juror’s work exciting. I usually enter competitions if I respect the juror. Conversely, I might also enter if I don’t know much about the judge. If I don’t respect the juror, I probably shouldn’t enter. Acceptance or rejection would mean less coming from someone I respect less.
2. Is the show very competitive?
While I want to enter a show that stretches my ability, I’m not interested in wasting my entry fee. However, this can change over time. As you enter more competitions, your name recognition increases and skills improve. Also, because artists who enter generally attend or receive a catalog, a widely entered show can give you broader exposure.
3. Does the organization offer Signature Membership?
Non-artists often ask what a Signature Membership means. Simply put, Signature members of an art group can sign initials after their name. It is an acronym that stands for professional status, similar to that used by doctors or lawyers. Art groups have varying standards for achieving Signature Membership. Most groups include acceptance into more than one show or sending multiple paintings to demonstrate consistency. I just found out that I can add a new Signature Membership to my list: San Diego Watercolor Society!
4. How much will I invest?
Entry fees, shipping and handling can really add up. Do I think the fees are average? Do they seem reasonable? It depends on your goals for entering a show. One reason I enter quite a few shows is that I would like to do more jurying and workshops out of state. So, I often choose to enter shows in areas that I think might be fun to visit. I’m always hoping that artists in that area might be intrigued by my work and invite me to jury. Additionally, I must consider my investment of time in managing my inventory, delivering work, preparing the work for exhibit, etc.
5. What other benefits might I see?
Will I see my work published in a book or magazine or receive prize money? Although this is kind of crazy, I sort of weigh what my chances might be to win an award or gain publication. If I hit my head against a wall too many times, then I generally take a break from entering. I consider whether I’m not ready or if maybe my style is not a good fit. Am I likely to see sales from the show? Will more students be motivated to study with me? Will I win a purchase award?
I’ve listed below some of the shows I’ve entered in the past. Click to View my Resume and see which ones I’ve actually been in! This year I tried to stretch a bit and entered a show for works on paper at the Brand Museum in California. Unfortunately, I didn’t get in. In addition you can read my philosophy on rejection here: Rejected Again – Hooray!
American Watercolor Society
National Watercolor Society
Western Federation of Watercolor Societies
Northwest Watercolor Society
Louisiana Watercolor Society
Texas Watercolor Society
Rocky Mountain National Watermedia
Signature American Watermedia, Fallbrook, CA
Adirondacks National Exhibition
Pike’s Peak National Watermedia
California Watercolor Association
San Diego International Watermedia
Georgia Watercolor Society
Watercolor Society of Oregon
Red River National Watermedia
Watercolor Society of Alabama
Hilton Head International Exhibition
National Watercolor Oklahoma
Taos Exhibition of American Watercolors
Kentucky Watercolor Society
Expressions West, Coos Art Museum
Finally, Thanks for sending me questions that might serve as possible blog post topics! I love to hear your comments on how YOU choose what shows to enter; join the conversation below!
I’m proud to share that I’m one of six artists from Portland Open Studios chosen to participate in this year’s PDX-CSA. The concept is similar to buying shares in an organic CSA farm, but for art! Just as you choose a farm because you like what crops they grow, give them money in the spring to cover costs, and receive your food a few months later, with PDX-CSA you choose artists whose voice you like, give them money to support their creation, and then receive the art in a couple months. It is a perfect combination between choice and surprise.
You’ll be involved in the process from concept to completion. Once the art is made, you’ll be invited to the reveal party to pick it up, or if you’re from outside Portland, the work will ship to you with no handling fee. In the past, work has shipped all over the world!
PDX-CSA offers you the opportunity to support the creation of new artwork by providing artists with funds upfront. You support artists’ creative freedom and in return you get exclusive, high-quality artwork and you get to follow the artists’ process for creating the artwork from concept to completion.
You can buy a pairing and save $ or choose just one of the projects. It’s a great way to support my work as an artist and to see a series evolve from start to finish. The work in this series is only available through PDX-CSA.
This project is separate from my other series:
Working with cold wax’s ability to hold objects, Ruth Armitage will incorporate found objects in her paintings; these textures and patterns emerge from and recede into the swathes of color. Her abstracts are detailed environments, packed with marks and forms, shifts in scale and movement; intense primary colors become permeable hazes, layers are worn away and incised to reveal artifacts and further layers.
Click the image below to see my partner’s work, and the work of the other 4 artists. I’m excited to get started with these new works and to keep you updated on the progress. I’ll only be making pieces for those who invest upfront, and this is a limited opportunity. Sales end September 17th, so get yours now!
Finally, it would be great if you could share this with friends and family who might need some affordable art. It’s a unique idea, and we’d love to have the whole community know about it!
Art supplies are magic.They can make even the most unimaginative artist want to pull up the nearest easel and start creating. Like the smell of a new box of crayons at the beginning of the school year, new art supplies really stir my soul. If I’m in an artistic slump, visiting an art store or a trade show gets my creative juices flowing.
There was only a slight danger that I would fall in love with something totally new, and switch the course of my artwork forever. After all, the supplies only get you started on your art journey. What keeps you coming back for more is the content or essence, the meaning in the art.
Art Supplies Aren’t the Only Answer
Read more about this subject: Don’t Dilute Your Aesthetic Urge. I enjoy demonstrating my techniques in watercolor, acrylic, oil and mixed media. But, what really gets me excited in teaching is to see students take risks of expression. These brave souls challenge themselves to make a statement that is truly personal. They often find a way to express themselves that is unique and new. That is the ultimate goal of working with new materials.
I’ll be sharing my process for painting with Oil & Cold Wax medium this Saturday at Art Extravaganza! Read all about it in this earlier post. The event is another opportunity to learn about materials, experiment, and network with other artists.
Six Reasons to Stop By:
Pop-Up Store by Merri Artist
Panel Discussion by CERF
I hope you’ll find yourself dreaming of new creations and Art Supplies after this fun event. Bring a friend and Join me!
The Jordan Schnitzer Museum of Art hosts “Pour It On! Watercolors from the West.” This exhibition features work from the Western Federation of Watercolor Societies and the Watercolor Society of Oregon.
On view from April 8 to June 19, 2017, “Pour It On!” is three shows combined into one.
The Watercolor Society of Oregon’s 52nd Annual Spring Exhibition
Work by Jeannie McGuire, this year’s juror for both shows.
Work on view explores the range of water-based media, including acrylic, casein, collage, gouache, tempera, and translucent and opaque watercolors. Here is a link to one of the paintings I’ll have in the show.
The exhibition will open with a free, public reception on Friday, April 7, from 6 to 8 p.m. I hope to see you there! Invite a friend and share this post on your favorite social media. On Sunday, April 9, at 2 p.m., McGuire will lead a tour of the exhibition.
This project has occupied my time for the last five years or so. I’m thrilled to see it coming together in such a fantastic way. Each year, a different regional member society hosts the Western Federation of Watercolor Society’s annual juried exhibition. This is the first time that the Watercolor Society of Oregon will serve as the host and we are excited to help bring this show to life.
About the Jordan Schnitzer Museum of Art
We are grateful to the Jordan Schnitzer Museum of Art for its support of the exhibition. The University of Oregon’s Jordan Schnitzer Museum of Art is a premier Pacific Northwest museum for exhibitions and collections of historic and contemporary art based in a major university setting. The mission of the museum is to enhance the University of Oregon’s academic mission and to further the appreciation and enjoyment of the visual arts for the general public.The JSMA features significant collections galleries devoted to art from China, Japan, Korea, the Americas, and elsewhere as well as changing special exhibition galleries. Additionally, the JSMA is one of seven museums in Oregon accredited by the American Alliance of Museums.
The Jordan Schnitzer Museum of Art is located on the University of Oregon campus at 1430 Johnson Lane. Museum hours are 11 a.m. to 8 p.m. Wednesdays, and 11 a.m. to 5 p.m. Thursdays through Sundays. Admission is $5 for adults and $3 for senior citizens. Free admission is given to ages 18 and under, JSMA members, college students with ID, and University of Oregon faculty, staff and students. For information, contact the JSMA, 541-346-3027.
Watercolor Society of Oregon
To top it all off, WSO also sponsors their bi-annual Watercolor Convention in Eugene, April 7 – 9, including watercolor workshops, lectures, paint-outs and more. Ms. McGuire leads a 5 day workshop March 27th – 31st. Finally, more information is available on the WSO website: www.watercolorsocietyoforegon.com or on the WFWS website: www.wfws.org.
If you’ve never experienced Art Extravaganza, you’re in for a treat! Sponsored by the Clackamas Art Alliance, this vendor trade show is an opportunity for artists, educators, students and all art enthusiasts to test, try and buy new and favorite art supplies and tools.
Artist Demonstrations and Lectures
Panel Discussion by CERF+
Pop-Up Art Materials Store by Merri Artist
Some of the many exhibitors:
Gamblin Artists Colors
Mel’s Frame Shop
Strathmore Artist Papers
Winsor & Newton
It’s free to attend, and the mini-workshops are very reasonable. Also, I’ll be giving a lecture and demo of my process using Oil & Cold Wax Medium on Panel from 10:30 – 12:30. Tuition is $10 and space is limited.
If you’ve been thinking about taking my workshop in June at Oregon Society of Artists, this would be a great preview of the class.
You can get tickets and pre-register for the free trade show by clicking below. The first 50 people to pre-register will be entered in a drawing for a reproduction of Susan Kuznitsky’s pastel painting, beautifully framed by Mel’s Frame Shop. Register Here
Here are some of the other artists who will be sharing demonstrations:
Shelly Caldwell – Mixed Media Assemblage
Renè Eisenbart – Watermedia Painting
Sheila Ford Richmond – Block Prints, Fabric Paints
Karen Hadley – Mixed Media, Acrylic, Collage
Susan Kuznitsky – Pastels
Cindy Lommasson – Chinese Brush Painting
Sarah Sedwick – Artgraf
Amanda Sweet – Watercolor
Finally, check out the event page for a full list of vendor exhibitors, classes and demonstrations. I hope to see you there! And just in case you think winter will never end here in Western Oregon, I’ll leave you with nature’s own Art Extravaganza, directly from my soggy garden – Happy Spring!
You’ll also get to explore different wines by Chehalem Vineyards to excite your palate.
Two palettes or palates in one day! (*grins*)
I have decided to talk about my color palette… something that remains fairly consistent between the different mediums I work in: Oil, Watercolor and Acrylic. Each artists palette is as individual as a snowflake. I’ll discuss some of my favorite hues and how I use them.
One thing non-artists may not know is that in each medium, the relative properties of a pigment remain fairly consistent. For instance, Cadmium Red is an opaque (can’t see through it) pigment in watercolor, acrylic and in oil paint. Pigments can be classified as transparent, semi-transparent or opaque. They can also be synthetic or organic, staining or non-staining, pure or neutral… You’ll hear me throwing a lot of these terms around when I discuss the pigments.
I’ll also talk about choosing a mixing surface for each medium. Watercolorists often refer to this mixing surface as a palette, so it can get confusing! Throw in the palate you use to taste food and wine, and a person could get lost in the terminology. Fortunately, both color and wine provide subtle and unlimited variations of bliss.
I will bring some new work, too, so come downtown and check it out! I’m including a handy map, so you can easily navigate, and parking isn’t usually a problem in this area. I hope to see you there!
The gallery is located on SW 10th Ave at Jefferson Street, Portland, Oregon. 503-224-0674